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The art of Florence, an interpretation (1918)

Powers, H. H. (Harry Huntington), 1859-1936 · New York, The Macmillan company · leaf 230

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hibertiworship. Absorbed in this new and larger theme where artdeals with a beauty that is more than of figure or face, heagain becomes an artist. Familiar as we are with incidentin the work of Ghiberti, there is in his work nothing of themagnificent vitality and energy which characterizes… … 212 Mornings with Masters of Art From this representation of motion in its manifold andpleasing characteristics, it was an easy step to the dramatic,that is, the study of passion. Of this we have manifold exam-ples, like the Passion of the Saviour in the Pulpit of SanLorenzo in Florence, but none,…

Christian art and symbolism · Art -- Italy Florence History · Art, Italian -- History

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