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The art of Florence, an interpretation (1918)

Powers, H. H. (Harry Huntington), 1859-1936 · New York, The Macmillan company · leaf 247

An illustration from The art of Florence, an interpretation, 1918, leaf 247
itive, stillmanifests itself. It is impossible to characterize this per-sonal eccentricity otherwise than as a weakness, though thereis reason to believe that in one case at least it has beenpopularly accounted an excellence and reckoned a chiefground of his fame. Turning now to that phase of… … C 12, The Virgin of the Rocks. Louvre, Paris.Leonardo da Vinci, 1452-1519. Leonardo, the Magician of the Renaissance 229 forming touch, the most influential of any in the history ofart save that of Michelangelo, and distinctly the most whole-some. Art learned from him not only to speak a new…

Christian art and symbolism · Art -- Italy Florence History · Art, Italian -- History

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