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The art of Florence, an interpretation (1918)

Powers, H. H. (Harry Huntington), 1859-1936 · New York, The Macmillan company · leaf 293

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the nature type, religioussuggestion being wholly lacking, but the artist is no longerdependent upon the green fields which were Leonardossuggested setting. The setting is an interior with the sim-plest of detail. The picture derives its significance and evenits popularity with the untechnical,… … C 188, Madonna della Sedia. Pitti, Florence.Raphael, 1483-1520. Umhria and Her Artist 275 us in the work of Botticelli. Beginning with the almostplanless Madonna of the Borghese Gallery, Rome, wepass to the Madonna of the Lilies in Berlin, and to thecharming tondo of the London Gallery, in both of…

Christian art and symbolism · Art -- Italy Florence History · Art, Italian -- History

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