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The art of Florence, an interpretation (1912)

Powers, H. H. (Harry Huntington), 1859-1936 · Newton, University Prints · leaf 117

An illustration from The art of Florence, an interpretation, 1912, leaf 117
y recognize the greatcathedral, then building. Alongside stands an imposing groupin which we recognize the Pope and the Emperor with crozierand sword, theoretical joint rulers over the lives and con-sciences of men. Other figures are alleged by tradition, letus hope erroneously, to be portraits of… … >.o GO o* A as rd o , -^ ^ a 4J ^ -t-j +^ fl rt 0) rfS a> ^ ^ ft 3 a f3 o l^ ^ H <D P3 CI? 03 ^ o o3 ;i< -^ • i-^ ^ ^ « ;h P ^ O <X) ^ H r^ o m The Protest of Faith loi couple of unplausible sheep, guarded by two spotted dogs,black and white, while other similar dogs are making…

Christian art and symbolism · Art

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