Powers, H. H. (Harry Huntington), 1859-1936 · Newton, University Prints · leaf 283
y the most beautiful of Raphaels creations. One more step, however, brings us to the full realizationof Raphaels early ideal, the complete transfiguring of theart of Perugino and of Umbria. It is significant that thisnext step was taken outside of Umbria and under a newinfluence. The place was… … C 149, Madonna del Granduca. Pitti, Florence.Raphael, 1483-1520. Umbria and Her Artist 267 this all-important step seems to us a perfectly logical contin-uation of his Umbrian development. Of the three Madonnaspainted at this time, la Belle Jardiniere (C 156) of the Louvre,Paris, is best known, but…
Christian art and symbolism · Art
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