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The art of Florence, an interpretation (1912)

Powers, H. H. (Harry Huntington), 1859-1936 · Newton, University Prints · leaf 295

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comparison with this masterpiece, and itmay appropriately close our study of this important phaseof Raphaels work. In this work more than in any other,Raphael shows originality of a high order and a perceptionof some of the profoundest principles of art. It is lesscharacteristic of Raphaels… … C 196, Madonna di San Sisto. Gallery, Dresden.Raphael, 1483-1520. Umbria and Her Artist 279 influence which seems to have quite disappeared. In coloring,and in the infinite perfectness of his workmanship, the workcompares unfavorably with the lovely Madonnas of theLeonardo period. But these things…

Christian art and symbolism · Art

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