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The art of Florence, an interpretation (1912)

Powers, H. H. (Harry Huntington), 1859-1936 · Newton, University Prints · leaf 326

An illustration from The art of Florence, an interpretation, 1912, leaf 326
ndrils of the arches above,Raphael has arranged with his usual cleverness figures admi-rably adapted for the purpose, arranging them himself, butthe work is not his own. We have a sketch, declared byexperts to be by Raphaels hand, but comparing it with thefresco itself we find it is but remotely… … o CO ft o P5 o • I—I d> t3 oo 3IO Mornings with Masters of Art only artist that Rome ever produced, and hence called GiulioRomano, Julius the Roman. To Giulio was left the work ofexecuting both cartoon and fresco. He could have chosen nomore unworthy hand ; grossly facile, but indelicate and…

Christian art and symbolism · Art

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