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The art of Florence, an interpretation (1912)

Powers, H. H. (Harry Huntington), 1859-1936 · Newton, University Prints · leaf 438

An illustration from The art of Florence, an interpretation, 1912, leaf 438
give it the solace of an ever-readysympathy, as the surest alleviation of the pains of existence,is the most beautiful of all human traits. This was thebeauty of Michelangelos character. It is the all but univer-sal beauty of his art. In this youth we have perhaps thefinest expression of this most… … C 131, Decorative Figure, Ceiling, Sistine Chapel, Vatican, Rome.Michelangelo, 1475-1564. 422 Mornings with Masters of Art draws us irresistibly back to the great days of Greek art.The proud possessors of this mighty collection would fainindicate that it symbolizes the spirit that broods over…

Christian art and symbolism · Art

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