Powers, H. H. (Harry Huntington), 1859-1936 · Newton, University Prints · leaf 45
stianity (B 18), deserve the closeststudy. First, it will be noticed that these mosaics are not beneathour feet but over our head. Fanciful inferences are sug-gested but hardly borne out by farther observation. Thechange of position permitted a change of materials, and thechange has already been… … How Art became Christian 29 colors, a more dazzling splendor, a more exalted theme, allseem assured. But the artist seems not to know that he isfree: He has glass instead of marble, but instead of thebrilliant colors thus made possible, he has painfully imitatedthe dull colors of his familiar…
Christian art and symbolism · Art
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