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The art of the Saracens in Egypt (1886)

Lane-Poole, Stanley, 1854-1931 · London : Chapman and Hall · leaf 227

An illustration from The art of the Saracens in Egypt, 1886, leaf 227
22. The third, or Mamluk, class is at once the most numerous andbest identified by inscriptions. The greater number of examples * I have seen, says Nasir-i-Khusrau, in the nth century, copperbowlsof Damascus containing each 30 menn of water ; they shine like gold. Theytell me that a woman owns 5000… … FIG. 75.—PANEL OF TABLE OF EN-NASIR, SON OF KALALN. (Cairo Museum.) and it is probable that the style acquired its distinctive characterduring this period of sumptuous magnificence in the fourteenth

Art · Art, Islamic

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