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The art of show card writing; a modern treatise covering all branches of the art ... with one hundred and fifty-three illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles (1922)

Strong, Charles J. (Charles Jay), 1865-, Strong, Lawrence J., joint author · Chicago, Frederick J. Drake & company · leaf 102

An illustration from The art of show card writing; a modern treatise covering all branches of the art ... with one hundred and fifty-three illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles, 1922, leaf 102
p everlastingly at it. Kemeniber you can if you will.Now note the position of the hand in Fig. 66. You will observe that theball of the first joint of the finger rests against the edge of the cardboard,and that the end of the third finger rests on the top of the card very closeto the edge. The… … Fia-. 66 along the edge. Keep the brush and fingers perfectly rigid. Dont alloweither to relax for an instant. The brush should be held in a vice-like grip.Just as soon as you can train your hand to maintain a fixed position you willhave acquired this knack. As already related, a piece of string…

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