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The art of show card writing; a modern treatise covering all branches of the art ... with one hundred and fifty-three illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles (1922)

Strong, Charles J. (Charles Jay), 1865-, Strong, Lawrence J., joint author · Chicago, Frederick J. Drake & company · leaf 37

An illustration from The art of show card writing; a modern treatise covering all branches of the art ... with one hundred and fifty-three illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles, 1922, leaf 37
of the letter is the first thing to be accomplished,after which add the spurs or other peculiarities, which, as a rule, do not affectthe proportion. Before beginning the brush exercises illustrated in Fig. 24,commit to memory the following rules: (1) Do not work with the point of the brush. Use the… … BBUSH MANIPULATION (2) Always begin the formation of a letter by fiist exe-cuting the vertical strokes. (3) The spurs are what give the letter character and tiinshand should therefore be executed last. (•4) A moderately Iapid, steady stroke is more desirableand will insure better results than a…

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