Dick, Stewart · Edinburgh, London : T. N. Foulis · leaf 20
and,doubtless, he would have been the first to ac-knowledge his debt. With the younger school Japanese influencehas been all-powerful. One might safely saythat, but for the Japanese colour print, there wouldhave been no modern poster school, working sodaringly in bold outline and broad, flat tints… … WILD DUCKSBy KORIN {Fro/n a Woodcut in the Korhi Hiakuzu) INTRODUCTORY only reason for the wide divergence in methodsand ideals of Japanese art from that to whichwe are accustomed. There are other physicaland material causes of great importance whichhave helped to decide its course. The basis ofall…
Art -- Japan
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