Dick, Stewart · Edinburgh, London : T. N. Foulis · leaf 68
ly be classed with eitherof these schools. It must not be supposed, however, that withthe coming of the Sesshiu and Kano schools theold Tosa style had been driven out. It continuedto exist alongside the newer schools, and manyartists changed from one style to the otheraccording to subject. The Tosa… … BIRD AND PINE BRANCH From a Kakemono ])y Naonobu {British Mtiscuiii) PAINTING on. Sesshlu, Masanobu, and Motonobu workedchiefly in monochrome, using colour sparingly;but Sanrakus work, a hundred years later, is fullof fresh, bright tints. A curious convention ofthe Tosa painters in their historical…
Art -- Japan
Internet Archive · New York Public Library · Public Domain Mark 1.0. Free to use for anything.
