The arts in the Middle Ages, and at the period of the Renaissance (1875)
Jacob, P. L., 1806-1884, Dafforne, James, d. 1880 · London : Chapman and Hall · leaf 374
g, by a kind of potent eclecticism, the ensembleof the noblest traditions. But it was not till the latter part of thesixteenth century that Bologna witnessed the opening by the Carracci ofthat studio whence were destined to proceed Guido, Albano, Domenichino,Guercino, Caravaggio, Pietro of Cortona… … ENGRAVING. Origin of Wood-Engraving.—The St. Christopher of 1423.— The Virgin and Child Jesus.—Theearliest Masters of Wood-Engraving.—Bernard Milnet.—Engraving in Camaieu.—Origin ofEngra%-ing on Metal.—The Pax of Maso Finiguerra.—The earliest Engravers on Metal.—Niello Work.—Zc Mmtre of 1466.—Ze…
Art, Medieval · Art, Renaissance
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