Dalton, O. M. (Ormonde Maddock), 1866-1945 · Oxford, At the Clarendon Press · leaf 378
ntal influence, e. g. the redcolouring of the angel who stands by the goats in the scene representing theLast Judgement, which recalls similar treatment in later Byzantine MSS. ;2 theLast Supper is of the familiar type of the later Byzantine period;3 the beardedtype of Christ in the Passion scenes… … Fig. 211. The Separation of the Sheep and the Goats : mosaic of the sixth century in thenave of S. Apollinare Nuovo, Eavenna. (Kieci.) P. 352. free of East-Koman art from the traditions of Early Christian times. The stifftreatment of the drapery, the sharp-cut band of ornament below the…
Art, Byzantine · Christian antiquities · Christian art and symbolism
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