Christian iconography; or, The history of Christian art in the middle ages (1851)
Didron, Adolphe Napoléon, 1806-1867, Millington, Ellen J, Stokes, Margaret, 1832-1900 · London : H. G. Bohn · leaf 30
ice, only, has been claimed as an additional argument in support of the com-mentators, who, in the whole of that history, discover a representation ofthe Trinity. Tunc hi Très quasi ex Uno ore laudabant et glorificabant etbeuedicebant Deum in fornace. * M. Didron here refers to v. 28 of the… … Fig. 133.—THE TRIXITY AT THE BAPTISM OF CHRIST. Italian carving on -wood, xiv cent.* * The carving on wood from which the above engraving is copied, was c2 20 CHRISTIAT^ ICONOGRAPHY. The New Testament is far more precise ; it both namesthe Trinity and shows it in visible substance. Jesus said to…
Christian art and symbolism · Art, Medieval
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