Moore, Charles Herbert, 1840-1930 · New York, London, The Macmillan Company · leaf 166
l kind. Onthese and other kindred qualities grammarians in art are proneto lay great stress, but unless accompanied by many others,which for the most part elude all human powers of analysis anddescription, though they are instinctively grasped by the trueartist and appreciated by the discerning and… … Fig. 76. •Window of PalazzoBranzo. ^ They were grammatical, not in the sense of using the classic orders with cor-rectness,— this, as we have seen, they did not do, — but in the sense of ariangingtheir architectural details, such as they were, on a basis of grammatical order. 134 ARCHITECTURE OF…
Architecture, Renaissance
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