Christian iconography; or, The history of Christian art in the middle ages (1851)
Didron, Adolphe Napoléon, 1806-1867, Millington, Ellen J, Stokes, Margaret, 1832-1900 · London : H. G. Bohn · leaf 145
have the architecture of the Eenaissance, which honoursfirst principles, and the forms of paganism as well as 134 CHRISTIAN ICONOGRAPHY. of Roman Christianity. Theaccording: to the style of the devil has his phasesarchitecture to whichhe belongs : he is Byzantine or monstrous at Constanti-nople and… … Fig. 183.—THE DEMON AS SATYR, the Renaissance, returning to an ancient Satyr, whichhas the feet and horns of a goat, but the body and headof a man. [ A time came, says M. Reville,* when theidea that the devil had a distinct bodily shape becamesettled ; and this form was that of the ancient fauns…
Christian art and symbolism · Art, Medieval
Internet Archive · Smithsonian Libraries · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Emblemata v. c. Andreae Alciati Mediolanensis iurisconsulti : cum facili & compe[n]diosa explicatione, qua obscura illustrantur, dubiáque omnia solvuntur (1584)](https://img.insideoutlibrary.com/img/200/ia-emblematavcandre00alci-370-186.webp)