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Christian iconography; or, The history of Christian art in the middle ages (1851)

Didron, Adolphe Napoléon, 1806-1867, Millington, Ellen J, Stokes, Margaret, 1832-1900 · London : H. G. Bohn · leaf 172

An illustration from Christian iconography; or, The history of Christian art in the middle ages, 1851, leaf 172
de prisonerDeath herself, who is our queen, and even our king, thehusband of Death, hath He also bound in chains of fire. * * Fabricius, Codex pseudepigraphus Novi Testamenti, t. i. pt. ii. pp.679, 680. DEATH AS A RIDER. IGI Death, as a rider whose horse leaps forth from themouth of Hell, is shown… … Fig. 202.—TKIUMPH OF DEATH. of Sicily, Crescenzio, on the wall of the courtyard of theHospital at Palermo. Instead of the yawning mouth ofHell to the left, we have the most beautiful group in the * The reader who wishes to study the treatment of the Triumph ofDeath in Mediœval Art more fully should…

Christian art and symbolism · Art, Medieval

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