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Christian iconography; or, The history of Christian art in the middle ages (1851)

Didron, Adolphe Napoléon, 1806-1867, Millington, Ellen J, Stokes, Margaret, 1832-1900 · London : H. G. Bohn · leaf 252

An illustration from Christian iconography; or, The history of Christian art in the middle ages, 1851, leaf 252
eurentseiches et sont aveuglez par le feu que leur «^ectent les anges. Belzeraymeetant les mains i la lectiere ou lon porte la Vierge Marie et sesmains demeurent atachées a lad[icte] lectiere, et se geetent sur eulxforce feu en manière de fouldre, et doivent cheoir à terre les Juifsaveugles. Les… … Fig. 232—BAS-RELIEF OF THE XUI. CENT. AT NOTRE DAME, PARIS. Tu the sculptured panel from Notre Dame (Fig. 230) wesee the figure of the Jewish prince represented, first as * See Annales Archéol. vol. xiii. p. 135. The costumes were generallythose of the period in which the play was enacted. The…

Christian art and symbolism · Art, Medieval

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