Christian iconography; or, The history of Christian art in the middle ages (1851)
Didron, Adolphe Napoléon, 1806-1867, Millington, Ellen J, Stokes, Margaret, 1832-1900 · London : H. G. Bohn · leaf 83
resemblance toour own, as is evidentfrom that given in theHistory of the Nimbus(Fig.21,voLI.); indeed,in groups representing theTrinity, the Greeks may,and in fact do, place theHoly Ghost between theFather and the Son, be-cause, according both to the Greeks and the Latins, thethird person in the… … *Fig. 146.—THE HOLY GHOST, NOT PEOCEEDIXGEITHER FROM THE FATHER OR THE SON. From a Woodcut or Engraving of the xii cent.t * Tl)e Greek Chureh would anathematise any painter who should ventureto design a Trinity reseoibling those given in Figs. 6 and 11. + The Father is on a throne surmounted by a…
Christian art and symbolism · Art, Medieval
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