Christian iconography; or, The history of Christian art in the middle ages (1851)
Didron, Adolphe Napoléon, 1806-1867, Millington, Ellen J, Stokes, Margaret, 1832-1900 · London : H. G. Bohn · leaf 87
ommand of Abelard, at the Paraclete,we positively reject as of doubtful authenticity. + See particularly, Figs. 113, 147. X See Fig. 6. § See Fig. 142. II They will be described in detail in the History of Angels. ^ Instead of sketching out a description, I prefer giving the followingextract from… … Fig. 148.—THE TRINITY IN ONE GOD, SUPrOHTING THE WOELD. Fresco of the Campo Santo of Pisa, xiv cent. not devoid of interest in itself: Buonamico BnfFamalco painted four frescoesin the Campo Santo. In these conjpositions we see represented the creationof ihc universe, in wliich the Father Almighty…
Christian art and symbolism · Art, Medieval
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