Painting in France, after the decline of classicism. An essay (1901)
Hamerton, Philip Gilbert, 1834-1894 · Boston, Little, Brown · leaf 110
greatly on the use of the razor.First, the dead color is laid of about equal thicknessthroughout, and then scraped down with a very sharprazor till it presents a perfectly smooth and even sur-face ever57where. On this surface, slightly oiled, theartist proceeds to work, this time in thinner… … AKAIDEN OF THE ABRXJZZI. yalaberi. 85 popular mind is right to some extent; for, althoughroughness of loading would not signify in the least ifthe picture were always to be seen by a light equallydiffused over the whole of its area, it is true, never-theless, that, since pictures are always seen by…
Painting
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