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Painting in France, after the decline of classicism. An essay (1901)

Hamerton, Philip Gilbert, 1834-1894 · Boston, Little, Brown · leaf 88

An illustration from Painting in France, after the decline of classicism. An essay, 1901, leaf 88
nd dangerous to fine art.That De Jonghe should have been able to illustratethe sentiments of piety* and philo-progenitiveness * There is not space to investigate the matter here; but it isa fact that almost all art which is devoted directly to piety ordomestic sentiment is, as art, execrably vulgar… … De Jonghe. 77 without incurring the least taint of bourgeois vulgarityis the strongest possible proof of his true artisticrefinement and delicate sense of what is worthy ofhis art. A vulgar artist, being himself a Philistine,paints bourgeois subjects with the insensitiveness ofPhilistinism; a…

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