Painting in France, after the decline of classicism. An essay (1901)
Hamerton, Philip Gilbert, 1834-1894 · Boston, Little, Brown · leaf 94
possess, are not commercially a good investment ofhis time; and Lobrlchon has long since abandonedthem for the more lucrative study of contemporarychildhood. He has acquired, by practice, a clear andsimple method of painting, and seems to have a trueliking for his subjects and to understand… … < Ao oo Painful Subjects. 79 sive to permit me to venture on the expression of anygeneral opinion. The one given here was exhibitedin the Salon of 1868, and proved much observationand considerable power of rendering expression; butthe picture, though carefully and truly painted, is avery painful…
Painting
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![An illustration from XIXe [i.e. Dix-neuvième] siècle (en France); classes - moeurs - usages - costumes - inventions. Ouvrage illustré d'un front. chromotypographique, de 16 planches coloriées aux patrons, de 36 entetes et lettres ornées et de 487 gravures (dont 24 tirées hors texte) d'après les principaux artistes du siècle (1893)](https://img.insideoutlibrary.com/img/200/ia-xixeiedixneuvi00granuoft-772-579.webp)
![An illustration from A descriptive and illustrated catalogue of 150 paintings by old masters of the Dutch, Flemish, German, Italian, Spanish and French schools [electronic resource] (1911)](https://img.insideoutlibrary.com/img/200/ia-frick-31072002097360-87-64.webp)
