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The Tuscan & Venetian artists, their thought & work (1904)

Rea, Hope 1860- · London, J. M. Dent · leaf 112

An illustration from The Tuscan & Venetian artists, their thought & work, 1904, leaf 112
the earlier Tuscan masters, but atthe same time exhibits a very marked divergence fromthem in method. This may be seen very distinctly in apainting in the Venetian Academy known as theMadonna of the Two Trees. The Madonna is re-presented half-length only, and is seated in a beautifuland stately… … The Madonna of the two Trees.—Belljni. DREAMLAND AND REALITY 73 of Botticelli, one sees at once the fundamental differ-ence there is between the methods of the two schools.In short, Bellini had not had the training of the Tuscangoldsmith; there is not in his work that delicate per-ception and free…

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