The Tuscan & Venetian artists, their thought & work (1904)
Rea, Hope 1860- · London, J. M. Dent · leaf 243
continuation of the actual refectory, while thedisciples are seated behind the table and at the two ends,the front side being entirely unoccupied. Though some-times, and with a certain effect, one figure was left stillseated on this outer side, that of Judas alone, thus, andvery pointedly, the only… … THE COMPARATIVE TREATMENT 165 in San Marco. The superior claims of Fra Angelico,in the latter place, often cause the visitor to hurrypast the Cenacolo of Ghirlandajo, and yet it is wellworth examination. There is the long table across theend of the room, with Christ as the central figure, theothers…
Artists
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