The materials of the painter's craft in Europe and Egypt : from earliest times to the end of the XVIIth century, with some account of their preparation and use (1910)
Laurie, A. P. (Arthur Pillans), 1861-1949 · London ; Edinburgh : T.N. Foulis · leaf 303
the slightest movement of the position ofthe pages bririgs out the metallic sheen. 11 is practic-ally impossible to reproduce the delicate interlacingof gold paint by means of modern methods of repro-duction. This Book of Hours, which is in the pos-session of the University of Edinburgh, is a… … FROM A • BOOK OF HOURS Bri^M GritHS, probaily vrrdigHs; Blues, frohably nltramarine; also termiliim and foaiify Lake, 1 ell«ws—Gold Imtt. {Eiiin. Univ. Lilirary) rage igv. ILLUMINATED MANUSCRIPTS that it became in 1586 the property of the Che-valier Balthazar Remiel, and that it had belongedto his…
Painting · Pigments · Artists' materials
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