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The new art; a study of the principles of non-representational art and their application in the work of Lawrence Atkinson (1922)

Shipp, Horace, 1891- · London, C. Palmer · leaf 117

An illustration from The new art; a study of the principles of non-representational art and their application in the work of Lawrence Atkinson, 1922, leaf 117
inthe graphic and plastic arts because he realises the danger of thesensuous appeal of music as a power which holds the mind as hewould say to earth. He has always aimed at a medium anda method which would prove transparent, revealing clearly thenon-materiality. He knew that music in some of its… … Lawrence Atkinson—His Work and Place 73 only inasmuch as their results came to him and convinced him oftheir value. His art study was conducted in the great galleriesall over Europe, and by passing contact with the minds of con-temporary artists. All the time he was thus travelling, bringingthe art…

Atkinson, Lawrence · Art, Modern

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