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The new art; a study of the principles of non-representational art and their application in the work of Lawrence Atkinson (1922)

Shipp, Horace, 1891- · London, C. Palmer · leaf 131

An illustration from The new art; a study of the principles of non-representational art and their application in the work of Lawrence Atkinson, 1922, leaf 131
ymbolism into correct perspective, there havebeen schools of artists who, under Neo-Platonic influencehave repeated the materialising of the spiritual which wenoted as the result of classic mythological thought. Theloose terminology of our time has given the name ofsymbolic to any painting which…

Atkinson, Lawrence · Art, Modern

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