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The new art; a study of the principles of non-representational art and their application in the work of Lawrence Atkinson (1922)

Shipp, Horace, 1891- · London, C. Palmer · leaf 137

An illustration from The new art; a study of the principles of non-representational art and their application in the work of Lawrence Atkinson, 1922, leaf 137
plane leads oneto the other element necessary to the understanding ofAtkinsons drawings and paintings. He concerns himself withthe actual vitalising of space at the dictates of the relation-ship of the various parts of his drawing which this spaceseparates. The method is a convention ; the reason… … The Paintings: Early Work 89 reacts towards it. One sees how this works ,in that otherform of intensification—stage art. An actor standing at onepart of the stage alone will focus attention ; at the need ofthe drama he turns toward a door and, without a word beingspoken, our attention follows the…

Atkinson, Lawrence · Art, Modern

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