The new art; a study of the principles of non-representational art and their application in the work of Lawrence Atkinson (1922)
Shipp, Horace, 1891- · London, C. Palmer · leaf 137
plane leads oneto the other element necessary to the understanding ofAtkinsons drawings and paintings. He concerns himself withthe actual vitalising of space at the dictates of the relation-ship of the various parts of his drawing which this spaceseparates. The method is a convention ; the reason… … The Paintings: Early Work 89 reacts towards it. One sees how this works ,in that otherform of intensification—stage art. An actor standing at onepart of the stage alone will focus attention ; at the need ofthe drama he turns toward a door and, without a word beingspoken, our attention follows the…
Atkinson, Lawrence · Art, Modern
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