The new art; a study of the principles of non-representational art and their application in the work of Lawrence Atkinson (1922)
Shipp, Horace, 1891- · London, C. Palmer · leaf 153
iversalising of appeal which has consistentlybeen Lawrence Atkinsons ideal. Pure line and pure form have to convey the message whichhas given him the impulse to create. ^Esthetic joy arises fromour recognition of the fitness of the forms to achieve this end,and from our dramatic interest in the… … CHAPTER IV. The Sculpture
Atkinson, Lawrence · Art, Modern
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