The new art; a study of the principles of non-representational art and their application in the work of Lawrence Atkinson (1922)
Shipp, Horace, 1891- · London, C. Palmer · leaf 159
iversal to be limited by personality, understoodthe need of rendering the individual actor transparent so thatthe dramatic idea should not be blurred in transit. The maskwhich the actor wore was thus intended on the one hand toconceal the irrelevancies of personality, and on the other, bydexterous… … The Sculpture 105 subconsciously without any stressing of the faculty of merereasoning towards the actors basic meaning. Thus the maskserved the purpose of art by clarifying, by universal^sing, bysymbolising. It removed from the artists path the dangerousand confusing factor of individuality and…
Atkinson, Lawrence · Art, Modern
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