The new art; a study of the principles of non-representational art and their application in the work of Lawrence Atkinson (1922)
Shipp, Horace, 1891- · London, C. Palmer · leaf 173
s he would say, in natures way if she were using clayinstead of other matter, his sculpture took upon itself a differencefrom the pictorial work which was governed by a likephilosophy. The geometrical forms which seemed right ingraphic art gave place to what I have called significantamorphism. One… … The Sculpture 113 the sculpture is this one of almost amorphous, comparativelysimple shapes which came into being to express ideas and emo-tions of their creator and which he believed to be inherent in justthose shapes and conveyable to other minds through them. Onethinks for example of the work…
Atkinson, Lawrence · Art, Modern
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