The new art; a study of the principles of non-representational art and their application in the work of Lawrence Atkinson (1922)
Shipp, Horace, 1891- · London, C. Palmer · leaf 76
at the same instant and theyreduced their pictures to the point of time which, acceptedtheoretically in pictorial and plastic art, had become extended bythe tendency of the artists to take the eye from part to part oftheir canvas giving everything in turn its own known valuerather than its visual… … The Approach of History 45 objects as the artist knew them to be were a matter of far lesserconcern. Especially valuable, too was their contribution to theactual colour phenomena of shadows : their willingness to acceptwhat the eye conveyed, revealing the tremendous colour value ofthe planes which…
Atkinson, Lawrence · Art, Modern
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