The new art; a study of the principles of non-representational art and their application in the work of Lawrence Atkinson (1922)
Shipp, Horace, 1891- · London, C. Palmer · leaf 86
tletyand he also owes something to either wing of the move-ment forward. He quite frankly aimed at expressing objectswith a maximum of significance but a minimum of means.To this end he used linear design filling in the spaces obtainedby almost flat washes of colour. Again the artist has escapedthe… … The Approach of History 53 that he was really aiming at an expression entirely opposedto that which in due course inspired the Cubists, whilst atthe same time both schools are essentially subjective andpresentational in their methods. At a later stage the workof Matisse and his followers was…
Atkinson, Lawrence · Art, Modern
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