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The art of the exposition : personal impressions of the architecture, sculpture, mural decorations, color scheme & other aesthetic aspects of the Panama-Pacific International Exposition (1915)

Neuhaus, Eugen, 1879-1963 · San Francisco : P. Elder and Co. · leaf 112

An illustration from The art of the exposition : personal impressions of the architecture, sculpture, mural decorations, color scheme & other aesthetic aspects of the Panama-Pacific International Exposition, 1915, leaf 112
re is by no means acci-dental. The effect of the ensemble, on a calm,sunny day, is hard to describe in its gorgeousbeauty. The pressing into service of nature as appliedto color was particularly inviting, of course, onthe bay side, where simple sweeps of skies, foot-hills, and plain bodies of water… … THE STAR A. STIRLING CALDER, SCULPTOR THE LANDSCAPE GARDENING Francisco, known around the world for its gaytemperament. Appreciating the importance of detail, Gu^rinextended his color treatment to practicallyeverything presenting surface. Nothing couldescape his vigilant eyes. Even the sand…

Panama-Pacific International Exposition (1915 : San Francisco, Calif.) · Art

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