The art of the exposition : personal impressions of the architecture, sculpture, mural decorations, color scheme & other aesthetic aspects of the Panama-Pacific International Exposition
A critical guide to the architecture, sculpture, murals and color scheme of the 1915 Panama-Pacific International Exposition, written by Berkeley art professor Eugen Neuhaus and published in San Francisco by Paul Elder and Co. for fairgoers and art students. The plates are high-contrast halftone photographs of the fair's Beaux-Arts courts and pavilions \u2014 colonnades, coffered arches, urn-topped balustrades, domed rotundas and freestanding statuary \u2014 usable as silhouette-heavy architectural stock, pattern sources for classical ornament, or dramatic light-and-shadow backdrops.
