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The art of the exposition : personal impressions of the architecture, sculpture, mural decorations, color scheme & other aesthetic aspects of the Panama-Pacific International Exposition (1915)

Neuhaus, Eugen, 1879-1963 · San Francisco : P. Elder and Co. · leaf 128

An illustration from The art of the exposition : personal impressions of the architecture, sculpture, mural decorations, color scheme & other aesthetic aspects of the Panama-Pacific International Exposition, 1915, leaf 128
absolute nature,without ideal or inspiration. A mystic figure inthe background holds the cruse of oil. Over allof them floats a winged figure holding a laurelwreath for the victorious living, while a shadowyfigure in the foreground holds a palm for thedead. The fourth panel represents the… … COMMERCE, INSPIRATION, TRUTH AND RELIGION EDWARD SIMMONS, PAINTER THE MURAL DECORATIONS been brought from the altar, the other drawingback the veil of darkness, revealing the tangible,visible expression of Art to mortal eyes. The four single panels symbolize the fourgolds of California; the…

Panama-Pacific International Exposition (1915 : San Francisco, Calif.) · Art

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