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The art of the Uffizi palace and the Florence academy, together with that of the minor museums of Florence, with explanatory and appreciative comment on the notable works therein preserved, and their history and significance (1912)

Heyl, Charles Christian, 1874- · Boston, L. C. Page and company · leaf 150

An illustration from The art of the Uffizi palace and the Florence academy, together with that of the minor museums of Florence, with explanatory and appreciative comment on the notable works therein preserved, and their history and significance, 1912, leaf 150
rshirt and carries his long crozier, while from hisleft hand there flutters a broad ribbon bearing theinscription ECCp AGNIVS DE . . . Somewhatmore pleasing in presentation is the well-studiedfigure of the Saviour, anatomically correct, althoughwith something of proportion still to be desired.Truly… … VERROCCHIO. — THE BAPTISM OF CHRIST (Sbirlanbajo 107 in mass and detail, these two delightful figures arethe best ever painted in the studio of Verrocchio.In the background and in the distant landscape maybe discerned the elements of those wonderfulglimpses of mountain scenery so strikingly…

Galleria degli Uffizi · Accademia di belle arti (Florence, Italy) · Painting

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