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The art of the Uffizi palace and the Florence academy, together with that of the minor museums of Florence, with explanatory and appreciative comment on the notable works therein preserved, and their history and significance (1912)

Heyl, Charles Christian, 1874- · Boston, L. C. Page and company · leaf 166

An illustration from The art of the Uffizi palace and the Florence academy, together with that of the minor museums of Florence, with explanatory and appreciative comment on the notable works therein preserved, and their history and significance, 1912, leaf 166
sthat of Chiara Fancelli, his wife, whom he marriedin 1493. So enamoured of her beauty was he, andso delighted with the problem of devising effectivehead-dresses for her, that the model husband fre-quently spent hours at a time in arranging this im-portant portion of her toilet with his own hands.… … PERUGINO. THE ASSUMPTION OF THE VIRGIN SiQtiorelli, iperugino, an& 2)el Sarto 121 vidual. The figure of the Archangel is one thatthe artist often painted, with unvarying pose, andbut little variation in detail of costume. It will berecognized to be the same as that which appearsin the Pavia…

Galleria degli Uffizi · Accademia di belle arti (Florence, Italy) · Painting

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