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The art of the Uffizi palace and the Florence academy, together with that of the minor museums of Florence, with explanatory and appreciative comment on the notable works therein preserved, and their history and significance (1912)

Heyl, Charles Christian, 1874- · Boston, L. C. Page and company · leaf 262

An illustration from The art of the Uffizi palace and the Florence academy, together with that of the minor museums of Florence, with explanatory and appreciative comment on the notable works therein preserved, and their history and significance, 1912, leaf 262
ys more lovelytondo is Number 1267 bis, commonly known asthe Madonna-of tbe-Magnificat,- sometimes calledby its.generic title, .Coronation of the Virgin. Thecomposition of this picture isliuichTess formal andmuch more graceful than that of the-one just pre-viously iioled/ Here the Madonna sits at… … BOTTICELLI.—THE MAOOXXA OL THE MAGXIFIC.^ vIFICAT XDlffisi (Ballerij: iRoom of Botticelli 193 leans forward to dip the pen in the ink, the Child,His gaze directed toward heaven, puts out His tiny-hand to guide hers in the writing, a symbol of thedivine inspiration of Marys reply to the Saluta-tion…

Galleria degli Uffizi · Accademia di belle arti (Florence, Italy) · Painting

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