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The art of the Uffizi palace and the Florence academy, together with that of the minor museums of Florence, with explanatory and appreciative comment on the notable works therein preserved, and their history and significance (1912)

Heyl, Charles Christian, 1874- · Boston, L. C. Page and company · leaf 350

An illustration from The art of the Uffizi palace and the Florence academy, together with that of the minor museums of Florence, with explanatory and appreciative comment on the notable works therein preserved, and their history and significance, 1912, leaf 350
or the same patron,presents a bit of a contrast. It is also a recliningnude, but the form is oast in a much more vulgarmould. The flesh, however, is equally real. Theface is that of Titians daughter Lavinia. Overher shoulder leans a caressing Cupid, whose arrowsand quiver lie at the foot of the… … w > o u imtRSi (Bailer^: XTbe Clritiuna 261 through the marriage of Vittoria della Rovere withthe Grand Duke Ferdinando II. Titians magnificent portrait of the ArchbishopBeccadelH of Bologna, Number 1116, is well worthyof attention for its technical perfection. The por-trait was painted in 1552,…

Galleria degli Uffizi · Accademia di belle arti (Florence, Italy) · Painting

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