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The art of the Uffizi palace and the Florence academy, together with that of the minor museums of Florence, with explanatory and appreciative comment on the notable works therein preserved, and their history and significance (1912)

Heyl, Charles Christian, 1874- · Boston, L. C. Page and company · leaf 360

An illustration from The art of the Uffizi palace and the Florence academy, together with that of the minor museums of Florence, with explanatory and appreciative comment on the notable works therein preserved, and their history and significance, 1912, leaf 360
n early sixteenth cen-tury Fleming, whose work anticipated that of theDutch school. His Man of Sorrows, Number1143, is a lonely and not very good example of aschool quite different from most of the work in theTribuna. Representing the schools of Germany are LucasCranach and Albrecht Diirer.… … <w MH [i.O 2;o H < OO< w MH OS TUffisi Gallctij: Ube UrtDuna 267 the Magi, Number 1141, however, is of consider-ably greater attractiveness and general interest.This great masters work was well-known in Italyduring the Renaissance, and its strong intellectualquality made a vital appeal to…

Galleria degli Uffizi · Accademia di belle arti (Florence, Italy) · Painting

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