The art of the Uffizi palace and the Florence academy, together with that of the minor museums of Florence, with explanatory and appreciative comment on the notable works therein preserved, and their history and significance (1912)
Heyl, Charles Christian, 1874- · Boston, L. C. Page and company · leaf 70
eliness and reality about her that is little shortof marvellous when one considers the earlier repre-sentations of the same subject. The child is stillthe symbolic manikin of the barbaric pictures, butdisplays the same roundness and solidity as does theVirgin. The two figures of kneeling… … W >: ^ 3 »Mr,y<^: ■ 4 ^^^S^^^ ■e pi %mmmm&; : ) ^^3i^.^^ m i^% ^:^ si ■■i>;fe^?H i^E^H ^^3 1 ^^ ^^^..«fc- - ■ ^ 1 Ubc <5otbic pioneers 4S Madonna is colossal in stature compared with theother figures. This is because of her importance.The standing figure in front of the group at…
Galleria degli Uffizi · Accademia di belle arti (Florence, Italy) · Painting
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