Apotheosis and after life : three lectures on certain phases of art and religion in the Roman Empire (1915)
Strong, Eugénie, 1860-1943 · London : Constable · leaf 192
SYMBOLISM ON ROMAN TOMBSTONES 135 xvii. i), where the dead man is seen holding a deepdrinking-cup, not in the least as some have supposedbecause he had been a priest of Dionysus, but becausethe Dionysiac kantharos is given him, as to the heroisedSpartan ancestors, for a sign that he has attained…
Art, Roman
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