Fry, Roger Eliot, 1866-1934 · London : Chatto & Windus · leaf 266
tation,will set up a number of feelings and perhaps of critical thoughtsdependent upon innumerable associated ideas in the spectators mind. Now all these reactions to the picture are open to any one who hasenough understanding of natural form to recognise it when representedadequately. There is no… … Raphael. The Transfiguration Vatican Plate XXXI. RETROSPECT 197 forms as a musical person feels the intervals and relations of tones,and let us suppose him either completely ignorant of, or indifferentto, the Gospel story. Such a spectator will be likely to be immenselyexcited by the extraordinary…
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