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Vision and design (1920)

Fry, Roger Eliot, 1866-1934 · London : Chatto & Windus · leaf 80

An illustration from Vision and design, 1920, leaf 80
even so the appeal to vision was rather by way ofcorrecting and revising accepted conceptual images than as thefoundation of a work of art. The art of China, and still more ofJapan, has been distinctly more perceptual. Indeed, the Japanesedrawings of birds and animals approach more nearly than… … Fig. 8. 64 VISION AND DESIGN Like Japanese drawings, they show an alertness to accept the sil-houette as a single whole instead of reconstructing it from separatelyapprehended parts. It is partly due to Japanese influence that ourown Impressionists have made an attempt to get back to that…

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