sright, and not the camera, for his horsesappear to run ; this comes from the fact thatthe spectator from right to left sees first thehind legs accomplish the effort whence thegeneral impetus results, then the body stretchedout, then the forelegs which seek the groundahead. This is false in… … i8. EUROPA—ITALIAN SCHOOL OF THE isth CENTURY (LOUVRE).
Art · Sculpture · Realism in art
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